Getting the Word Out

The fight for women’s suffrage became the first social movement to utilize public relations in an attempt to persuade audiences to support their cause. The visual campaign featured posters, newspapers, and maps, emphasizing the benefit women's superior morality would bring to the male-dominated world of politics. 
 
With the help of publicity professionals and specialized committees, suffragists were able to produce a variety of propaganda. The use of the halftone printing process helped in the mass reproduction of photographs depicting key events from the movement. The movement's traditional pictures of refined, moral mothers were now superceeded by images of women marching and picketing, creating a new vision of femininity where motherhood and advocacy coexisted. These images were often incorporated into posters that advertised the most beneficial form of propaganda: suffragist newspapers. British publications such as Votes for Women and The Suffragette inspired American suffragists to use newspapers to reach a national audience. Newspapers discussed primary goals for the movement, made note of important events, and documented suffrage wins, often through maps illustrating the states that supported the movement. This data-driven form of propaganda was produced on letterheads, postcards, flyers, stamps, and billboards in order to suggest the inevitability of suffragists' victory.
 

Sheet music from a suffrage march

In addition to newspapers and other forms of printed public relations, suffragists like Alice Paul also staged parades that were designed to get media coverage. Paul organized the first American suffrage parade in 1913 in Washington, D.C., intending to promote the suffragists’ aggressive, empowering, and ultimate goal: a constitutional amendment that would enfranchise women. These public image events were purposefully designed to attract big press photographers. Paul described this shift in visual culture as a turning point in the movement. Though some of these protests were described by sources as “disordered and disgraceful,” the headlines and visual publicity for the movement forced both the public and politicians to pay attention.
 
Listen to a clip from the song "Fall in line" from a suffrage march here: Fall in line audio clip
 
Source:
Lange, Allison K. “White Public Mothers and Militant Suffragists Win the Vote.” In Picturing Political Power: Images in the Women's Suffrage Movement, 159–208. Chicago, IL: The University of Chicago Press, 2020.

Woman's Journal for Sale 

Founded by Lucy Stone and Henry Browne Blackwell, the first issue of The Woman's Journal was released on January 8th, 1870. This American periodical publicized the views of the American Woman Suffrage Association (AWSA). The publication printed speeches, debates, poems, short stories, and columns that pertained to the women’s suffrage movement. Though The Woman’s Journal stayed silent on the “scandoulous” topics of prostitution, abortion, and contraception, its moderate, less-politicized view allowed it to outlive the more radical publications of the time. Its audience promoted suffrage as a means to receive better education, create better career paths, and obtain property rights for those women that were married. Until it merged with The Woman Citizen in 1917, it was the leading publication of the woman suffrage movement. 

Source:

Encyclopedia Britannica. “Woman's Journal,” September 11, 2018. https://www.britannica.com/topic/Womans-Journal.

 

Votes for Women Wanted Everywhere

The Votes for Women newspaper was originally established by the Women's Social and Political Union (WSPU) and first edited by a husband and wife team, Emmeline and Frederick Pethick-Lawrence. The paper grew in publicity and eventually thousands of copies were being sold each month. Hilda Dallas was a suffragette artist and made many similar illustrations for the paper. The use of green, white, and purple represent the suffragette colors and the feminine woman was very common and used to attract women and supporters. This woman was used to contradict the idea that suffragists no longer practiced feminine roles, and many people responded to that. Due to this papers great success, Votes for Women was the official paper of the WSPU until 1912.

Women's Suffrage Flowers

A Women's Suffrage Poster with a title of "Women's Suffrage Flowers." On the bottom, it says "Uncle Sam: Prune away Prejudice, and those will blossom in November." There is a map blossoming out of soil and a plant pot. The pot says "Equality" and the soil says "Liberty." Near the pot, there are 3 gardening tools with words on them. There is a watering can that says "Justice," The hedge shears say "Education" and "Truth." There is a plant rolling tool that says "Logic." The states on the map that include flowers are: Washington, Oregon, California, Nevada, Arizona, Utah, Colorado, Kansas, Idaho, Montana, Wyoming, and Illinois. The states on the map that are shaded in black include: North Dakota, South Dakota, Nebraska, New Mexico, Oklahoma, Texas, Minnesota, Iowa, Missouri, Arkansas, Louisiana, Wisconsin, Michigan, Indiana, Kentucky, Tennessee, Alabama, Mississippi, Georgia, Florida, South Carolina, North Carolina, Virginia, West Virginia, Maryland, Maine, New Hampshire, Vermont, Connecticut, and Rhode Island. The states that are white with neither shading or flowers include: Pennsylvania, New York, Massachusetts, New Jersey, and Delaware. Uncle Sam is standing next to the map clipping off pieces of the states near Massachusetts.

Equality is Sacred Law

The background is yellow. "VOTES FOR WOMEN" with Greek typography on top of the poster. "EQUALITY IS THE SACRED LAW OF HUMANITY" with Greek typography on the bottom of the poster. In the center of the poster, a woman wearing a winged petasos helmet to present equality, and behind the woman, an axe to symoblized strength through unity in grey.

The Suffragette

This image is from the front of a suffrage newspaper edited by Christabel Pankhurst, a British suffragist leader. “She was very influential in the suffragette movement” (Purvis 2018). She is the daughter of Emmeline and Richard Pankhurst, who were liberal socialist and active proponents of women’s suffrage. Her mother, Emmeline, was a well known and active champion for women’s suffrage in the United Kingdom, and she advocated militant tactics. Her parents' political activism influenced Christabel's involvement in the women’s suffrage movement. She shadowed her mother’s role.

In October 10, 1903, Christabel, Emmeline Pankhurst, and local socialist women formed the Women’s Social and Political Union (WSPU) at the Pankhurst home at 62 Nelson Street in Manchester. The WSPU’s main suffrage organization performed and organized militant strategies for women to get the right to vote.

In 1907, Frederick and Emmeline Pethick Lawrence founded the Votes for Women. It was the first newspaper of the WSPU. Christabel became Chief Organiser and key strategist of WSPU. She took over and edited the WSPU newspaper from the Votes for Women because Emmeline and Frederick Pethick Lawrence were against militant tactics. The WSPU renamed their newspaper The Suffragette and replaced Votes for Women. Christabel edited and promoted more militant tactics from The Suffragette newspaper.

The artist Hilda Dallas made the advertisement for The Suffragette featuring Joan of Arc with the WSPU banner” in 1902 (Tickner 1988, 252).

Sources

Loudermelk, Shana. "Christabel Pankhurst (1880-1958)"http://hist259.web.unc.edu/c-pankhurst/.

Loudermelk, Shana. "Vote for Women / The Suffragette / Britannia (1907-1918)"http://hist259.web.unc.edu/vote-for-women-the-suffragette-britannia-1907-1918/.

Purvis, Dr. June. 2018. "Christabel Pankhurst, Suffragette icon". April 2. https://www.museumoflondon.org.uk/discover/christabel-pankhurst-suffragette-leader.

Rosen, Andrew. 2013. "The Founding of the WSPU." In Rise Up, Women! : The Militant Campaign of the Women's Social and Political Union, 1903-1914, by Andrew Rosen, 7. New York: Routledge.

Tickner, Lisa. 1988. "Appendix 3." In The Spectacle of Women, by Lisa Tickner, 252. The University of Chicago Press.